Wikipedia
Andrew Sabin
2024
Elysium Gallery Artist Talk with Andrew Sabin, click here
Andrew Sabin at Brook Bennington Gallery, Fitzrovia News
2016
’Colouring the void, New Arts Centre, website
2013
Painting and Sculpture, Northacre.com
High-Fell House, Interview, Grizedale Sculpture
2012
Coldstones Cut, Official Website
Coldstones Cut, Marsh Award
‘The Coldstones Cut by Andrew Sabin’, David Gryn ArtProjx
‘The Coldstones Cut’, Antony J Waller
Assorted Images, Flickr
’A view of ourselves… in the northern landscape’, Christina James
2011
‘The Giant of the Dales is the Best Public Artwork of the Year’, Martin Wainwright, The Guardian
What's Big in the Dales, Martin Wainwright, The Guardian, 9 April
The Coldstones Cut. The Making of a Monument, by Paul Harris and Phyllida Shaw, foreword by Andrew Sabin
‘Andrew Sabin: The Coldstones Cut’, Oliver Bennet, AAJ Press
2010
‘Rock and Role Reversal’, Nick Ahad, Yorkshire Post Magazine
A Giant Leap of Faith in the Quarry, Nick Ahad, Yorkshire Post | pdf
2006
Sculpture Collections Illustrated Concise Catalogue, edited by Penelope Curtis, The Henry Moore Institute
Public Works, Andrew Sabin and Stefan Sankland, The University of the Arts
2005
The Wandle Trail, Official Website
2003
‘Andrew Sabin’, Sculpture in 20th Century Britain 2, edited by Penelope Curtis, Denise Raine, Matthew Withey, Jon Wood and Victoria Worsley,Published by the Henry Moore Institute, click here
The Horsebridge, Angela Kingston
Sculpture Along the Wandle Trail, Martin Holman
2002
History Wall, Public Art Online
2001
Second Sight, Henry Moore Foundation
2000
C-bin Project, Archived Website
The Century of the Body, Photoworks 1900-2000, edited by William A. Ewing, Musee de l'Elysee, Lausanne
1999
‘Through a Lens, The Body's Many Guises Multiply’, Alan RIding, The New York Times
C-bin Project, Tentoonstelling De Elementen
1989
Andrew Sabin Sculpture 1986 - 1989, Salama-Caro Gallery
1998
Robert Hopper, October, Art and Architecture
1997
James Hall, September, Artforum
Andrew Limbirth, June, Contemporary Visual Arts
Charlotte Mullins, July/August, Blueprint
The Open Sea, Andrew Sabin, Henry Moore Sculpture Trust, Exhibition Catalogue
Essay by Stefan Shankland, The Henry Moore Sculpture Trust | pdf
Interview with Robert Hopper, The Henry Moore Sculpture Trust | pdf
Essay by Robert Hopper, The Henry Moore Sculpture Trust | pdf
1996
Christophe Flubacher, L'Hebdo - Lausanne
Jost Martin-Imbach, Der Bund, Bern
1995
Tim Hilton, Independent on Sunday
1994
James Hall, The Guardian
‘Whitechapel Open Exhibition’, Richard Dorment, Daily Telegraph
‘Whitechapel Open’, Damian A Chittock, Artists Newsletter
1993
‘ART / Unchained reactions: Andrew Sabin's work invites a hands-on approach’, James Hall, The Independent
The Mapping of Memory, John McCrone
Hybrid Architectures and Microscapes, Brian Hatton
‘Classical in question’, Lynn MacRitchie, Financial Times
‘Andrew Sabin: The Sea of Sun’, Andrew Wilson, Forum International
‘British Art Now’, James Hall, ARTNews
Art & Design Profile, Installation Art No.30, Text by Andrew Sabin
Unchained Reactions, The Independent, James Hall
CELL, CELLA, CELDA, The Henry Moore Institute, click here
UnTelevision, Issue 1.1
Audio Arts, Volume No. 3
‘Pick of the Year’, James Hall, Arts Review
‘London Winter Round-up’, Andrew Wilson, Art Monthly
‘Chain Reaction’, by Rosanna Negrotti, What's On in London
‘Buying shares in virtual aesthetics’, Andrew Sabin, New Scientist
Essay by Brian Hatton, The Henry Moore Sculpture Trust | pdf
Essay by John McCrone, The Henry Moore Sculpture Trust | pdf
Cell. Cella. Celda, The Henry Moore Institute | pdf
1992
‘The Hands-on Experience’, Dalya Alberge, The Independent
‘Where Bigger Means Better’, William Feaver, The Observer
The Sea of Sun, Creative Review, Battersea Arts Centre
‘Get to the heart of Andrew's Creation’, South London Guardian
‘The Sea of Sun at BAC’, SW Magazine
‘The Sea of Sun at Battersea Arts Centre, Interiors
‘The Sea of Sun’, Andrew Lambirth, Royal Academy Magazine
‘Andrew Sabin's The Sea of Sun’, Arena
‘The Sea of Sun’, ARTbibliographies Modern
‘The Sea of Sun’, Roger Spetz, MAMA- Magasin For Modern Arkitektur No. 4
‘Andrew Sabin: The Sea of Sun’, Charles Hall, Arts Review
‘Reality and Dreams in a Sea of Sculpture’, Elizabeth Geake, The New Scientist
William Feaver, The Observer
The Hands-on Experience, Dalya Alberge, The Independent | pdf
1990
‘Andrew Sabin’, Chisenhale Gallery Website, click here
Andrew Sabin, An Installation of New Works, by Andrew Sabin and James Hall, Chisenhale Gallery, Exhibition Catalogue
New Light on Sculpture, by Raymond Oberholzer, Tate Gallery Liverpool, Exhibition Catalogue
‘British Sculptor Develops Foam-in-Fabric Art Form’, ICI Vol.4, Polyurethanes Newsletter
‘Abstract Sculptures Dominate’, Geraldine Norman, The Independent
‘Gender bending versions of Pygmalion Myth’, James Hall, Sunday Correspondent
1989
‘Andrew Sabin at Salama-Caro Gallery’, James Roberts, Artscribe
‘Odd Forms in Everyday Places’, Jonathan Watkins, Art International
‘Andrew Sabin’, Steve Berry, Flash Art
‘La Sculpture Anglaise entre Rigeur et Baroque’, Caroline Smulders, Art Press
‘Andrew Sabin’, Richard Pomeroy, New Art International
‘Out of School’, John Russell Taylor, The Times
‘Andrew Sabin’, Emmanuel Cooper, Time Out
‘Sculpture 1986-89’, Interveiew with Andrew Sabin and James Lingwood, Salama-Caro Gallery
1988
‘Inside Outside’, Nigel Richardson, Arts Review
1987
‘Liverpool painting, Manchester sculpture’, Dalya Alberg, The Independent
‘Casting an Eye’, Lynne Cooke, Flash Art
Casting an Eye, Alison Wilding, Cornerhouse, exhibition text
Casting an Eye, Richard Deacon, Cornerhouse, exhibition text
1984
‘Underwater’, John Onley, The Guardian
1983
‘Out-doing Rembrandt’, William Fever, The Observer
‘Pagan Echoes, at the Riverside Studios’, London Review of the Arts
‘Pagan Echoes’, Michael McNay, The Guardian
‘The Keynesian Approach’, Marina Vaizey, Sunday Times
‘Cooked-up Exoticism’, The Standard
1980
‘Bureaucrats or Spacemen? Post-Planters Arouse Fury on Exmoor’, Somerset County Gazette